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ABOUT:
In April 2010, A-Lab introduced the Forum, a series of monthly discussions designed as an opportunity for artists working in various media to present their work, share their visions, and exchange ideas in relation to selected topics and concepts in the field of art production, collaboration, and critical thinking.

Each forum consists of presentations by five artists, followed by a discussion period with the curator and attending audience. Participating artists are identified and selected by the curator / facilitator from a pull of entries for that month. Presenting artists are selected by invitation and through a city wide open call. The forums are open to the general public.

   
   

SPRING 2012 FORUMS:
Hosted at Crossing Art Gallery

January 21, 2012, 2:00 - 4:00 PM

WIP -Works In Progress
(Registration deadline: Wednesday, January 18th, Midnight)

QMAD, Queens Media Arts Development, invites artists to participate in WIP –Works In Progress, the first A-Lab Forum of 2012. The January program is an open call to artists interested in presenting and discussing their work(s) in progress, unfinished project(s) and / or ideas they might be struggling to realize. The A-Lab Forum: WIP will function as a peer-counseling-advisory session for all participating and attending artists. No judges. No curators. No censorship. No selection process. All formats apply, and artists using various media (painting, sculpture, video, illustration, photography, digital arts, multimedia, installation, mixed media, and performance art.) are encouraged to apply.

To participate choose one registration format:
- E-mail up to 5 digital images.
- Provide the link for 2 videos in Youtube or Vimeo.
- Come with your sketch book, bring your painting or visual work.
- Be ready to show an excerpt of your performance or reading.

NOTE: All participants, regardless of the type of submission, must register online alab.forum@gmail.com by Wednesday, January 18th, midnight.


   
   
   
   

FALL 2011 FORUMS:
Hosted at Crossing Art Gallery

December 10, 2011, 2:00 - 4:00 PM
ARTE UTIL
This month’s forum centers around the works of artists whose practice involves social and political engagement.  Through actions, performances, situations, and in may instances the reference to the object(s) , participating artists explore possible ways to bridge the gap between audiences and art experience.  Taking as departure the notion of Arte Util (Useful Art), first introduced in the 1960’s , the forum will open the dialogue to offer a possible re-formulation of  ideas behind artistic creation, aesthetics, alternative narratives, and public participation. Selected artists were invited to present their work and share their approach, ideas and experimentation with art that can found in the streets outside the white box of a gallery or museum setting.

   
    A-Lab Forum: ARTE UTIL Participating Artists:
Suzanne Broughel

Tania Bruguera
Aisha Cousins
John Hawke
Shani Peters






Organized by Hector Canonge
   
         
 

November 19, 2011, 2:00 - 4:00 PM
PORTRAITURE
A-Lab Forum in November focuses on notions of Photo Portraiture, their meaning and mythology in the actual context of digital production. In addition, the program explores questions pertaining to the nature of portraiture as object of art, documentation of a lucrative reality or as a simple expression of the photographed subject. Selected and invited artists / photographers explore and use Portraiture as testimony of contemporary art practice  or representation of a socio-historical moment. Many of the works originate as individual explorations while others are part of a body of work.

   
    A-Lab Forum: PROTRAITURE Participating Artists:
Michael J DiRaimondo
Gerard H. Gaskin
Mindy Katzman
Ruben Natal San Miguel
Damaso Reyes







Curated by María Fernanda Hubeaut
 
         
  October 15, 2011, 1:00 - 3:00 PM
ARTE SOCIAL
This month's forum focuses and explores social engagement through the arts.  Invited artists work in the public sphere generating collaboration, interaction and participation of people residing, visiting or simply passing by a community. Guest artists present documentation of their works, talk about their social practice and participate in an open forum to discuss art production in connection with social, economic, demographic, and cultural concerns. In addition, ARTE SOCIAL will propose the colaboration of attending audience in the creation "Olla Comun" (Communal Pot), a one day public event related to economies of food production and consumption to take place in November for Shifting Communities Roundtable Series at Bronx River Arts Center.  Artists working in various forms and using verious media are highly encouraged to participate.
   
    A-Lab Forum: ARTE SOCIAL Participating Artists:
Beatriz A. Gil
Carlos Martinez
Tattfoo Tan
   
         
 

SPRING 2011 FORUMS:
Hosted at Crossing Art Gallery

May 14, 2011, 2:00 - 4:00 PM
ARSPoetica
This month's forum marks the first anniversary of the monthly program. ARSPoetica explores the written word and the manner in which artists integrate text narratives into their works. In addition, ARSPoetica deals with the appropriation of space to communicate ideas through various forms written narratives, design and collaboration. Participating artists use text, writing systems, and the word to enhance, challenge, and innovate the visual arts.

   
    A-Lab Forum:ARSPoetica

Participating Artists:
Andrew Baron
Hector Canonge
Nicholas Fraser
Carla Lobmier
Christina Stahr

   
             
 

April 9, 2011, 2:00 - 4 :00 PM
GeekART
April's forum focuses on artists whose work bridges the gap between technology and art. GeekART treats the influence of that scientific innovation has in the development of art, its various practices and modalities. Participating artists explore, work, and utilize information technologies, software, robotics, the Internet, computational technology, physical computing, interactive environments, gaming and/or new media tools. Artist, performers or a techno-lover whose work has been called or considered «geeky», «brainy» or «out there» are invited to attend and contribute to the forum.

   
    A-Lab Forum: GeekART 040911

Participating Artists:
Carlos Azolas
Heidi Boisvert
Eric Forman
Ted Hayes
Raphaela Riepl

   
         
 

March 19, 2011, 2:00 – 4:00 PM
FANTASIA
This month's forum focuses on notions of the fantastic, the imaginary, and the surreal (re)presented in visual and performative arts. Selected works explore themes around the uncanny as an instance where something can be familiar, yet foreign at the same time, resulting in a feeling of it being strange or fantastic. Participating artists using various media (painting, sculpture, video, illustration, photography, digital arts, multimedia, installation, mixed media, and performance art.) explore notions of “magical realism,” “phantasmagoria,” and/or the “supernatural” where distortions of the real –human or environmental- are referenced and used.

   
   

Participating Artists:
Carmen Einfinger
Anthony Gonzalez
Eva Nikolova
Carol Radsprecher
Jason Villegas

Networked Presentation (Los Angeles):
Maya Erdelyi-Perez

   
         
  February 19, 2011, 2:00 – 4:00 PM
MEKANIKA
The first A-Lab Forum of 2011, MEKANIKA, focuses on the presentation of artists whose work deal with notions of machinery in visual arts. Selected artists (working in in painting, sculpture, video, illustration, photography, installation, and mixed media) explore notions of technology, mechanics, physical structures, and industry in their work. From 2D illustrations, to paintings, video, and interactive new media, selected works challenge traditional approaches in contemporary art.
   
   

Participating Artists:
Anne Finkelsten
Samwell Freeman
Stephen Gerberich
Tim Goldman
Caitlin Masley

   
         
 

FALL 2010 FORUMS:
Hosted at Crossing Art Gallery

November 20, 2010, 1:00 – 3:00 PM
ARTivism
For this month, the A-Lab Forum presents ARTivism (Art & Activism). Selected artists are or have been direclty engaged in activism. Through their work, they explore issues dealing with political, social, environmental, economic, or other important concerns. Participating artists use painting, sculpture, video, photography, digital arts, installation, and mixed media, to raise awareness about war, disease, exploitation, hunger, violence and injustice. Organized by Hector Canonge.

   
    Participating Artists:
Ida C. Benedetto
Susan C. Dessel
Lawrence Graham Brown
Michelle Jaffé
Rosa Naparstek

   
         
    October 16th , 2010, 2:00 – 4:00 PM
Latinidad
Coinciding with Hispanic Heritage Month, A-Lab’s October 2010 Forum focused on the theme “LATINIDAD” to explore issues and concerns involving artists who identify themselves as Latin / Hispanic living and working in the USA. The forum investigated notions of identity, gender construction, and social representation in relation to the growing presence of artists of Hispanic origin. Participating artists presented their work and discussed possible definitions and uses of the word ‘Latin / Hispanic,’ as well as the cultural and social notions of how their ethnic background affects or influences their work in contemporary art.
   
 

Participating Artists:
Alta Berri
Felipe Galindo
Norma Marquez Orozco
J Carlos Pinto

Patricio Robayo

   
         
   
SUMMER 2010 FORUM:
Hosted at The Wassaic Project


Weekend of July 30th, 2010 (Camping and Presentations)
Pastoral
A-Lab’s Summer Forum focused on the theme “Pastoral”. Pastoral revolves around visual (re)presentation of rural landscapes, life in the country, and/or comparisons between natural and man-made habitats. Participating artists presented works that treat the natural landscape as inspiration, catalyst and/or main element of the artistic process. In the forum possible connections between natural and artificial environments were discussed and considered,. In the same manner, art that challenges ideas about landscapes, their (re)presentation, creation, virtualization, and (re)(de)construction in contemporary art were discussed. Organized by Hector Canonge.
   
 

Participating Artists:
Desireena Almoradie
Bivas Chaudhuri
Ryan Frank
Jason Mitcham
Morgan Schwartz
   
         
 

 



SPRING 2010 FORUMS:
Hosted at Crossing Art Gallery

April 17th, 2010, 2:00 – 4:00 PM
Fracture
The first A-Lab Forum focuses on the idea of "FRACTURE" in terms of breaking artistic boundaries, splitting from traditional practices of presenting art work, and how artists have been able to address changes in their practice, brake from the norms of their medium, change their methods of experimentation, disrupt form and content, and last, but not least, how their works have undergone a transformation from established rules or order. Participating artists approached this month’s topic creatively as they reflected on how their practice and works question issues related to contemporary art market trends and norms that perhaps need to be fractures or ruptured. Facilitated by Hector Canonge.

   
   

Participating Artists:
Melissa Calderon
Katarina Jerinic
Antonio Ortuño
Risa Puno
Ryan Roa

   
         
 
May 15th, 2010, 2:00 - 4:00 PM
Repetition
A-Lab Forum’s second talk focused on the idea of “REPETITION”. Repeating oneself has been used as a concept in many forms of intellectual and humorous endeavors, from the start of mass production circa 1920 to South Park circa now. The arts have been no less fascinated with repetition as seen in Sol Lewitt’s drawings and Tara Donavan’s sculptures. The reasons behind repeating an object, shape, material, or yourself is what we are looking to discover in this series of works. All artists who submit works should consider why they are repeating themselves in art, how they are reinforcing traditional formulations of art practice, and/or if art itself tends to be cyclical and repetitive. Facilitated by Juan Hinojosa.

   
   

Participating Artists:
Paul Behnke
Megan Bisbee-Durlam
Helen Dennis
Oasa Du Verney
Kathleen Mallaney
   
         
  June 19th, 2010, 2:00 - 4:00 PM
Queering Bodies
A-Lab’s third forum focused on the theme “QUEERING BODIES,” and it revolved around issues and concerns about the body as a tableaux, interface, canvas, and/or agent for artistic creation. Participating artists explored notions of identity, gender construction, and social representation in relation to the physical or virtual representation of the body image. This month's forum presents artists who use the body as canvas, as user interface (UI) or as a metaphor for the exploration of territory(ies) within their work(s) and general practice in contemporary art. Organized by Hector Canonge.
   
   


Participating Artists:
Matthew de Leon
Christen Clifford
Panoply Performance Laboratory (PPL)
Alison Ward
Genevieve White
   
 


Directions:
Crossing Art Gallery, 136-17 39th Avenue at Main Street, Flushing, NY.
7 train to Main Street Flushing. Walk one block on Main Street to 39th Ave (Opposite direction of the LIRR Overpass). Turn Right on 39th Ave & enter Queens Crossing (Large Glass Façade with Blue & Pink Flowers). Take the stairs or elevator to the Ground Floor.
Phone: 212-359-4333

 

   
   
   
    ARTISTS' BIOGRAPHIES:    
             
  Desireena Almoradie
Desireena Almoradie is a new media artist and videomaker whose works have been exhibited in NYC and around the globe. She co-directed, produced, and edited the short film “Green Stalk” which has screened at film festivals worldwide. A graduate of NYU's undergraduate film and video program, she received her masters at NYU's Interactive Telecommunications Program in 2006. Her interactive video installation, A Sense of Place or Apres moi, le deluge, exhibited in NYC at the Mushroom Gallery in June and July, 2006. She also created the interactive video installation, Orifi, as part of the art collective 3MIH. Orifi was exhibited at the MIX Experimental Festival in NYC in 2008. She has also produced for PBS and broadcast television and in 2009 won a GLAAD Media Award for her segment "Funding the Marriage War" which aired on the PBS show In the Life.

More information: www.artling.net/deluge
   
     
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  Carlos Azolas

Carlos Azolas is an architect license in Chile living in New York since 2001. He holds a MsAAD from Columbia University after he graduate in 2004 cofounded Singularity Studio,  a multi-disciplinary Design Studio dedicated to investigating new relationship between kinetic space and inhabitant. It focuses on Kinetic Architecture with Non-Traditional Origami to create space that is not subject to a static history or static future. Kinetic Architecture will allow the creation of a space that will alter its shape/space depending on the physical and psychological needs, not only of its inhabitants, but also of the general needs of the environment it occupies.

More information:  www.singularitystudio.com

   
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  Andrew Baron Andrew Baron was born in Cincinnati, Ohio. He received his BFA from the Ohio State University and his MFA from the San Francisco Art Institute. He has exhibited in and around the New York/ New Jersey area in solo and group shows. Most recently, he received a 2011 Fellowship for painting from the New Jersey Council on the Arts. He will be showing next at Index Art Center in the show "Terra Forms" this June.

More information: www.andrewbaronstudio.com
   
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  Ida C Benedetto

Ida C. Benedetto is a New York based photographer, artist and media strategist. She works with visual media and digital technology to support storytelling, collaboration and diversity. Her art vacillates between observational documentation and community specific adaptations of visuals and first person narratives. Most recently, she managed and taught a film collective of AIDS orphans in Ethiopia thanks to a Fulbright grant. The 10 month grant afforded Ida many opportunities to teach. She was contracted by Internews and The Red Cross/Red Crescent Climate Center to teach production workshops in video and photography. As a media strategist, Ida has worked with design studios to create exhibitions for museums and digital marketing campaigns for some of America’s largest corporations. She graduated from The New School University’s dual degree program with a BFA in Design and Technology from Parsons School of Design and a BA in History from Eugene Lang College.

More information: www.idaimages.com

   
     
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  Alta Berri
Alta Berri is an interdisciplinary artist focusing primarily on painting and illustration. Alta was born and raised in New York City where she currently lives and works. She is an emerging artist who has traveled to Europe, throughout the Caribbean, Latin America and to numerous cities across the United States. Alta is a member of the ADAVA (Alliance of Dominican American Visual Artists) and has worked with organizations such as the Caribbean Cultural Center, Northern Manhattan Arts Alliance and the Hispanic Society of America. Presently, Alta is working on an animated short and her first graphic novel. Alta's work has been exhibited in solo and group shows in the Dominican Republic and the United States.

More information: www.altaberri.com
   
     
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  Paul Behnke at A-Lab Forum May 2010
Paul Behnke was born in Memphis, TN and received his BFA from the Memphis College of Art. Behnke has exhibited nationally and internationally and his work can be found in private collections in Chicago, IL, Perth, Australia, and Dublin Ireland. He is the recipient of numerous awards, including the Bowld European Traveling Fellowship, and the Arts Build Community Grant from the Tennessee Arts Commission. In addition, he recently completed a month long residency at the Vermont Studio Center courtesy of a full fellowship. The artist lives and works in Philadelphia, Pennsylvania.

More information: www.paulbehnkepaintings.com
   
     
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  Megan Bisbee-Durlam at A-Lab Forum May 2010
Megan Bisbee-Durlam, born 1983, grew up in Vermont and in 2005 received her BFA from Alfred University. Represented by Lohin Geduld Gallery (NYC) she has also shown at Hallwalls Contemporary Art Center (Buffalo), Tampa Museum of Art, Firehouse Gallery (Burlington, VT) and Flinn Gallery (Greenwich, CT). Megan's work was published in edition #56 of New American Paintings. Reviews of her shows have appeared in Buffalo News and The Gay City News. Megan was visiting lecturer at the University of South Florida and Alfred University. She attended Vermont Studio Center on full fellowship in 2009 and will attend The Barn, the Seven Below Arts Initiative Artist-In-Residence Program in Vermont this summer. Megan lives and works in Brooklyn.

More information: www.meganbisbeedurlam.com
   
       
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  Heidi Boisvert

Heidi Boisvert is a new media artist, experimental filmmaker, writer and educator.  She is currently the Multi-Media Director at Breakthrough.  She designed the first 3D social change game, ICED: I Can End Deportation, about unfair U.S. immigration policies. Prior to joining Breakthrough, Heidi taught Digital Media & Media Studies at Hunter College, and launched a free digital media program for low income youth through Time Warner & NOAA funding.  Most recently, Heidi founded and serves as the Creative Director of the futurePerfect lab, a boutique creative agency that works in partnership with non-profits to engineer their social messages for mass appeal through imaginative and playful applications of integrated media and emerging technology.  Her latest initiative, America 2049, an alternative reality game on Facebook about pluralism is garnering headline attention. Her art work has been exhibited in the U.S., Canada, Korea & Europe.

More information: www.heidiboisvert.com

   
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  Suzanne Broughel Suzanne Broughel’s work has been exhibited at P.S. 1/MOMA, Marlborough Gallery, The University of Memphis, Rush Arts Gallery, and Longwood Art Gallery, among others. She was a 2008 participant at Skowhegan School of Painting and Sculpture, as well as the Emerge Program at Aljira Center for Contemporary Art. Broughel is the recipient of fellowships from the New York Foundation for the Arts and A.I.R. Gallery.

More information
   
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  Tania Bruguera

Tania Bruguera's work researches ways in which Art can be applied to the everyday political life; creating a public forum to debate ideas shown in their state of contradictions and focusing on the transformation of the condition of “viewer” onto one of “citizenry.” Bruguera uses the terms ARTE DE CONDUCTA (conduct/ behavior art) and ARTE UTIL (useful art) to define her practice. Bruguera has participated in Documenta, Performa, Venice, Gwangju and Havana Biennales and at exhibitions at mayor museums in Europe and United States including the Tate Modern, The WhitechapelGallery, PS1, ZKM, IVAM, Kunsthalle Wien, and The New Museum of Contemporary Art. Her work is part of the collection of the Tate Modern; Museum für Moderne Kunst; Daros Foundation; Museo del Barrio; Bronx Museum; IVAM; Museo Nacional de Bellas Artes, Centro de Arte Contemporáneo Wifredo Lam.

More information: www.taniabruguera.com

   
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Llorada #4, 2008, C-Print.
Melissa A. Calderon incorporates installation, photography, sculpture and video in her work. She received her B.A. in Art History from CUNY Lehman College and lives and works in the Bronx, New York. Calderon has exhibited at El Museo del Barrio (New York), The Portland Museum of Art, Affirmation Arts (New York), BBBP / Bronx Blue Bedroom Project (New York), Jersey City Museum, Haven Arts Space (Bronx), Arte Americas (Fresno), Longwood Arts Project and The Bronx Museum of the Arts. Recently, she was awarded a 2010 NALAC Fund for the Arts grant and the 2009/2010 Urban Artist Initiative Fellowship.

More information: www.melissacalderon.com
   
           
  Hector Canonge

Hector Canonge incorporates the use of various media, commercial technologies, physical environments, cinematic, and performance narratives. Based on notions of geographies, identity, gender roles, image appropriation, and the politics of migration, he explores contemporary issues affecting diverse communities in New York City. He has been selected as an artist in residence for LMCC 2011 Swing Space at Governor’s Island, and is the recipient of NoMAA's 2011 Regrant Program Award. His work has been featured by the Queens Museum of Art, Jersey City Museum, Bronx Museum, NY Studio Gallery, Flux Factory, Exit Art, Gallery Aferro, Topaz Arts, Y Gallery, Art for Change, and other art spaces in the city and abroad. His work has been reviewed by the The New York Times, ART FORUM, New York Daily News, Manhattan Times, Hispanic Magazino, El Diario, and by online publications such as NYRemezcla, Turbulence, and ART CARDS Review among others.

More information: www.hectorcanonge.net

   
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  Bivas Chaudhuri
Bivas Chaudhuri's current work is involved with space, which is full of energy. He uses repetitive visual elements and meditative process to energize the whole space. The highly structured slowly changing imagery is a close resemblance of my deep state of mind. It is emblematic of modern times mixed with his personal feelings and impression of nature.

More information: www.aaartsalliance.org
   
     
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  Christen Clifford
Christen Clifford is a performance artist in New York. Most recently she has shown work at Grace Exhibition Space and been an interpreter in Tino Seghal’s This Progress at The Guggenheim. Her solo trilogy (17 Guys I Fucked, BabyLove, and (What I Know About) My Parents' Sex Life aka Fuck Me Like It’s 1945) has been shown at P.S. 122, Galapagos, 45 Bleecker and Joe’s Pub. BabyLove premiered in Ljubljana, Slovenia at the Mesto Zensk Festival of Art and toured the US and Canada, and later ran for three months Off Broadway at 45 Bleecker and was a Critic’s Pick in Time Out New York (5 stars) and New York Magazine. She has collaborated with video artist Alix Pearlstein (The Kitchen, Salon 94, On Stellar Rays) and Fluxus artist Douglas Davis (This American Century II at the Whitney). Her writing has appeared in Nerve, Salon, Identity Theory, Smith Magazine, Time Out New York Kids and the Huffington Post. She co-curates (with Tom Cole) the literary series Experiments and Disorders at Dixon Place. Clifford is the recipient of a NYFA Fellowship and many residencies as well as the Nonfiction Award at The New School's MFA Writing Program.

More information: www.christenclifford.com
   
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  Aisha Cousins Aisha Cousins is a Brooklyn based artist. She writes performance art scores that engage black audiences in examining their own aesthetic beliefs, as well as processing the changes taking place in the world around them. Her performance art scores have been performed publicly in the US and abroad, as well as with institutions such as the Museum Of Contemporary African Diasporan Arts (MoCADA), the Brooklyn Museum of Art, Houston’s Project Row Houses, the Kitchen, and MoMA PS1. She was awarded a grant from the New York City Department of Cultural Affairs for her performance score “Diva Dutch.” Her work has been featured on television and in print, including coverage in New York’s Daily News, The New York Times, MoCADA TV, and The Studio Museum in Harlem’s Magazine.

More information:www.aishacousins.com
   
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  Mattew de Leon

Matthew de Leon performs characters that are manifestations of his own psychology, imagination, failures, and triumphs. They often deal with issues of sexuality, gender, misfits, and imagination. Matthew was born in NY in 1984. In 3rd grade he won a blue ribbon for a bike safety drawing. In 2006 he earned a BFA in Communication Design from the University of Connecticut. In 2009 he earned his MFA in Fine Arts at Parsons. His work has been shown in group shows at The Pulse Art Fair, Gallery 151, CINEMAROSA, and The Kitchen. He now works at HERE in Soho and is a member of the Gowanus Studio Space, Brooklyn.

More information:www.matthewdeleon.com

   
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  Helen Dennis at A-Lab Forum May 2010
Helen Dennis was born in the UK and now resides in Brooklyn, NY. She studied her BA (Honors) at the University of the Creative Arts in Canterbury and achieved her MFA at Hunter College in 2005. Dennis has been awarded a fellowship from Aljira Center for Contemporary Art as well as a photographic fellowship from The International House, NYC. Dennis has attended art residencies in Beijing, Cyprus and will be heading to Iceland for an art residency during August this year. She has participated in various exhibitions worldwide and in the US with the support of Queens Council of the Arts, Kent County Council, New Jersey State Council on the Arts, South East Arts UK and the National Lottery Arts Fund for the UK. Dennis has recently completed a public art commission located in TriBeCa for the Downtown Alliance of New York.

More information: www.helendennis.com
   
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  Susan C Dessel

Conceptual artist Susan C. Dessel lives and works in Manhattan and Long Island City. She left a successful corporate career in 1998 to study Studio Art at the City University of NY (BFA Hunter College, 2003, MFA Brooklyn College, 2006). Her work has been exhibited in the U.S., London, Prague, & Yerevan, Armenia. Dessel’s experiences with censorship encouraged her to continue to develop her voice & visual vocabulary. Her professional and personal involvements have been marked by efforts to effect social change. Her work reflects the fundamental dignity of individuals and suggests societal issues as universal and particular, individual and collective. Dessel’s art as an extension of the artist –herself- encourages viewers to consider their own role in transforming the community -local and global- through their actions and inaction.

More information: www.desselstudio.net

   
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  Michael J DiRaimondo Portraiture Michael J DiRaimondo is an artist based in Manhattan and Long Island New York. He received his BFA from Molloy College and his MA in Art Education from NYU. His work focuses on physical appearance and how people relate to the environments around them. He works to express how people want to be viewed verses how they are viewed by others within today’s social norms.

   
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  Oasa Du Verney at A-Lab Forum May 2010
Oasa Du Verney lives and works in Brooklyn NYShe believes that the feelings of desperation and defeat evolved from the hopes and aspirations instilled in her by her parents, who immigrated from Trinidad. She makes last ditch efforts of communication with a world consumed by its fears and desires. These desperate attempts use mediums fit for mass consumption such as self help books and fake "ghetto gold" to confront some of the frustrating un-winnable issues that plague our society. Resigned to ultimate failure; these communications do not intend to persuade or convince you to agree with her but rather to make use of her power as an artist...the ability to make you feel something. She has exhibited at various art institutions, such as MoCADA, Brooklyn NY; Aljira Art Center, Newark NJ and Root Division, San Francisco CA. Oasa is a founding member of The Nomadic Center for Institutionless Learning as well as The League of Desperate Individuals and the Unfree.

More information: www.oasaduverney.com
   
     
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  Carmen Eifinger

Carmen Einfinger’s work evolves directly from her highly particular origins, upbringing, and life experience. She was born in Great Britain to Dutch and Croatian parents, grew up in Brasil, and has been living in New York since 1990. Carmen Einfinger’s work has been exhibited in galleries and museums in China, Czechoslovakia, Ireland, Italy, Germany, Taiwan, Turkey, Albania, Poland and U.S. cities, including Washington, D.C., Dallas, Los Angeles, Lake Charles, Biloxi and New York. My work is represented in many private collections.

More information: www.carmeneinfinger.com

   
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  Maya Erdelyi-Perez

A native New Yorker, Maya Erdelyi-Perez currently lives near CalArts where she is getting her MFA in Experimental Animation. In June 2006, Maya completed her Master’s degree in Art and Education at Harvard University. After studying fine art and film at the Cooper Union and Hunter College in NYC in 2001, she left for Europe on a yearlong exploration, first studying ice sculpture in the Arctic and then went on to winning artist residencies in Paris and Amsterdam. Later she studied in India and Nepal, was a year-long artist-in-residence at a high school in New Mexico, and taught printmaking at the Museum of Modern Art (NYC) in 2006. She has been featured in magazines internationally and has sold her work in Tokyo, Berlin, Paris, New York, and Iceland. Her animations have been screened in festivals in Europe and the US and recently won the Museum’s choice award at the international cut paper film festival at the Museum for Art and Design in NYC. Upcoming shows include The Big Screen Project in NYC, and group shows in NY and Hawaii.

More information: www.mayaerdelyi.com

   
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  Anne Finkelsten at A-Lab Forum 2011

Anne Finkelsten lives and works in New York City, which is also her subject matter. The goal of her artwork is to combine images from disparate viewpoints into a harmonious whole. Her photomontages start with digital photographs. They reflect a mental landscape — the ability of the mind to hold many images simultaneously and blend them together seamlessly. She uses the computer to make transitions between images, and creates images which are more than a representation of what the world looks like. Her compositions lead the viewer on a journey which triggers memories of the experience of perception, including the contradictions between what we actually see, what we know, and what we remember.

More information: www.annefinkelstein.com

   
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  Eric Forman

Eric Forman is a New York-based artist working with interactive sculpture, robotics, and responsive installations. His work crosses boundaries between fine art and design, combining the subversive and the functional.  Eric is currently an Adjunct Professor in the graduate Digital+Media department at RISD, and soon at SVA's new Interaction Design MFA program.  He also teaches at Pratt, MICA, and the School of Architecture at Columbia University.  He received his Masters in 2002 from ITP at Tisch School of the Arts (NYU), and his B.A. from Vassar College in 1995 where he developed his own interdisciplinary program called The Philosophical Ramifications of Computer Technology.  Eric also runs Klank Studios, a technology consultancy providing over 20 years of experience with new media, and is the co-founder of BioArt New York, a collective pairing artists and scientists for unusual collaborations.  And he likes to ride a bike.

More information: www.ericforman.com

   
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  Ryan Frank
Ryan Frank is currently an artist-in-residence at The Wassaic Project, where his work was shown in the exhibition Bestiary at Maxon Mills this past summer. He was previously an artist-in-residence at Chashama and has exhibited at the D.U.M.B.O. Art Under the Bridge Festival, the Fashion Center Arts Festival, and the Crest Art Show. He is the co-founder of Ad Nauseam Lyceum, a curatorial collective that organized a series of pop-up exhibitions in galleries and storefronts throughout New York City from 2006 to 2009. For the past year he has worked as the Collection Manager and Director of Education at The Granary, a private exhibition space located in Litchfield County, CT. This fall a group exhibition he organized will be presented at the Winkleman Gallery Curatorial Research Lab.

More information: www.ryanmfrank.com
   
     
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  Nicholas Fraser Nicholas Fraser’s most recent installations were featured at Taller Boricua, the Flux Factory and in the exhibition Escape from New York in a former silk dying factory in Paterson, NJ. Recent projects were included in Videophagy / Videofagia at Function13 & Hotshot Gallery in Toronto, CONVERSATIONS, I’m Caught Up at the Bronx Art Space and in the 2009 Art in Odd Places Festival along 14th street. Fraser’s upcoming projects include new installations in Mixed Messages at La Mama La Galeria in New York and on Governors Island where he is a resident artist at LMCC’s SwingSpace Residency. His work has been exhibited at Jack the Pelican Gallery (Brooklyn) and Brain Factory (Seoul) and Eyedrum Gallery (Atlanta). He earned an MFA at the School of Visual Art and completed a residency at the Skowhegan School of Sculpture and Painting in 2008. Born in the U.K. in 1969, he lives and works in Brooklyn.

More information: www.NicholasFraser.com
   
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  Samwell Freeman at A-Lab Forum 2011

Samwell Freeman works with electricity. He seeks a starry synthesis of the mysterious speedy electron and the soft slow human. Studying obsolete technology Freeman explores our potential lives as elderly cyborgs. His strange electric questions have been exhibited in all five boroughs of New York City, as well as Oaxaca, Mexico and Paris, France. Always interactive his work takes shape as installations, videos, performances, interventions, drawings, and conversations.

More information: www.welike2draw.com/samwell

   
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  Felipe Galindo
Felipe Galindo (Feggo). Born in Mexico. BFA, Visual Arts, National Autonomus University of Mexico. Resides in New York City since 1983. He is an awarded fine artist, illustrator, cartoonist & independent animator. His drawings have appeared in The New Yorker, The New York Times, Newsday, The Wall Street Journal, Reader’s Digest, Nickelodeon, Mad Magazine, INXart.com, etc. and numerous European publications. “Magic Realism in Kingsbridge”, a permanent public art project commissioned by the MTA Arts for Transit program, was recently installed at the 231st Street Station, No. 1 line. It consists of 4 windscreens in faceted glass based on his designs. He is the author of the Manhatitlan project, a series of works on paper and animations and an upcoming book about the twining of Mexican and American cultures in New York. Galindo is currently working on an animation project titled Frida in New York, a humorous view on the several visits the Mexican artist Frida Kahlo made to New York City in the 1930’s.

More information: www.felipegalindo.com
   
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  Gerard Gasking Portraiture Gerard H. Gaskin is a native of Trinidad and Tobago. As a freelance Photographer his work has been featured in The New York Times, Newsday, Politiken, Black Enterprise, and Ebony among others. Additional clients include; Island, Sony, Def Jam and Mercury records. Gaskin’s photographs have also been featured in solo and group exhibitions across the country and abroad including The Brooklyn Museum, The Queens Museum of Arts, Galvanize in Port of Spain, Trinidad, Black Magic Woman Festival in Amsterdam, Holland Framing the Triangle: Goethe-Institute Accra, Accra, Ghana and Imagenes Havana: Fototeca de Cuba Habana Vieja, Cuba. His work is represented in the permanent collections of The Museum of the City of New York, The Queensborough Community College Art Gallery and the Schomburg Center for Research in Black Culture. He was awarded NYFA Photography Fellowship and was part of the Gordon Park’s 90th Anniversary Celebration.

More information: www.gerardhgaskin.com
   
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  Stephen Gerberich at A-Lab Forum MEKANIKA Stephen Gerberich's art is "machines that move ideas."   In Gerberich's imagination, the ideas spring from the objects themselves, often encompassing multi-faceted narrative themes. From a pack rat's treasure trove of machine bits, motors, fixtures, lampshades and a small army of collectibles, Gerberich spins his clanky contraptions together. After graduating from the University of Northern Iowa in the early 1980's with a BFA in photography, Stephen Gerberich moved to SoHo, NYC. Here Gerberich's photography soon began to transform into large-scale storefront window installations. His self-taught mechanical skills began here.  Gerberich's studio, itself a piece of art, is an amazing place chock full of the oddest collection of resources. In typical elliptical thinking, he cites Paul Klee's title "Twittering Machine" as more inspiring than the painting. He also looks at the work of Cornell, Rauschenberg, Duchamp, Tinguely, Kienholz, and his late brother, Tim Gerberich.     
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  Beatriz A Gil Beatriz A. Gil is a writer, visual artist and social advocate born in Mexico City. She found a home in Queens after relocating from Southern California. She writes memoir, creative non-fiction and poetry on her immigrant experience, cultural identity, gender issues, loss and death. She led writing and art workshops with seniors as part of the Queens Council on the Arts’ Space for Art Residency program.  Beatriz also facilitates community poetry workshops during Mano a Mano’s yearly Day of the Dead celebration. In her professional life, she has advocated for youth, immigrant families and workers in the criminal and immigration systems. Currently, she helps develop programs and partnerships to bring adult workers back to school. Beatriz received her B.A. in Politics and Latin American and Latino Studies from the University of California, Santa Cruz and will be pursuing a law degree in 2012.

More information: www.beatrizgil.com
   
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  Anthony Gonzales

Anthony Gonzalez is an artist/illustrator whose work has appeared in The New York Times, The New York Daily News and The Nation. He has executed two murals for New York Presbyterian Hospital, and has been in numerous exhibitions, including group shows at The Cork Gallery (Lincoln Center) and a one man show of political drawings at the Columbia University School of International and Public Affairs. He is the only person to have been awarded an Edward G. McDowell Travel Grant with a portfolio submission consisting exclusively of drawings.

More information: www.anthonygonzalez.com

   
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  Lawrence Graham Brown

Lawrence Graham Brown is a self educated multi media artist, wrestling within the constructs of race, class, religion, and identity. His work explores themes of Black-ness, African-ness, Jamaican-ness, Gay-ness while forging his life experience as a working class immigrant. He describes himself as a “Ras-Pan-Afro-Homo-Sapien” man in the new world, performing a self denying role. His work has been shown at the Museo del Barrio NY, National Gallery of Jamaica, Institute of Jamaica Museum of Ethnography, New York University international small works show -recipient of the jurors award, Shanghai Biennial, Beijing Biennial, China, and Real Artways, Connecticut. Solo shows: University of the West Indies, Jamaica WI and Lutz Rohs Gallery Duren, Germany. His work has been reviewed by the New York Times, Hartford Advocate, Jamaica Gleaner, The Hartford Guardian, Duren Im blick; Duren Germany.

   
     
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  Tim Goldman at A-Lab Forum MEKANIKA

Originally hailing from Indiana, Tim Goldman earned a BFA in graphic design at Ball State University in Muncie, IN. Tim began his career as designer and then Art Director in Chicago and then New York City. Currently he works as a freelance illustrator and designer, and has worked with a diverse list of clients such as the Wall Street Journal, NBA/WNBA, Sylvan Learning, Disney and Scholastic.

More information: www.timgoldman.com

   
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  John Hawke John Hawke’s work began in on-site landscape painting practice, and has developed over time to model the landscape as a composition of vectors of interest rather than as colors, with urban interventions into the landscape seen to have a special capability in rupturing existing social compositions. In 2002, after graduate study at Pratt Institute, he created with colleague Sancho Silva the platform for an urban intervention practice, entitled Orange Work. In 2005 he was a Kress Fellow at the Brooklyn Museum, and in 2006, a participant in the Whitney Museum’s Independent Study Program. He has exhibited projects at Art in General, Artist’s Space, Apex Art, the Centro Cultural de Belém in Lisbon, Creative Time, Eyebeam, the Irish Museum of Modern Art, the New Museum, PS.1, and at the New School. His work has been reviewed in the New York Times, Flash Art, and the Radical History Review.

More information: www.johnhawke.com
   
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  Ted Hayes

Ted Hayes is a poet-inventor: conceiving objects and experiences that explore the sublime and the enigmatic through recombination and deconstruction.  He is a proponent of what he has dubbed “Research Art,” or art as science experiment: a work driven by questions, but without obvious conclusions, that raises new questions while enveloping and engaging the audience. Ted’s works range from a group of language-inventing robots to a mythological city-founding ritual for soprano and string quartet, is a graduate of NYU’s Interactive Telecommunications Program, and is recently the recipient of a New Radio and Performing Arts commission.

More information: www.tedbot.com

   
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  Maria Fernanda Hubeaut Portraiture María Fernanda Hubeaut was born in the city of Santa Fe, Argentina. She received a Masters Degree in Communications and Arts from the National University of Entre Ríos, Paraná City, Argentina, were she organized and directed as a teacher workshops in photojournalism for several years. Her work is strongly linked to reality, trying to capture the human emotions and human transformation. In 1998, María Fernanda traveled around Europe and Latin America to reinforce her documentary experience and photographic art interests. For over 15 years, Maria Fernanda Hubeaut work as a freelance photographer, shooting for a variety of editorial, documentary, travel and artistic projects around the world. Based in New York City and in Jersey City her versatile photography has appeared in such publications as “Poder”, “New York Times”, “ Hispanic Magazine”, Daily News, “Hora Hispana”, “Hoy”, “El Diario”, “ El Nuevo Día” and “Travesías”.

More information: www.mfhubeaut.com
   
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  Michelle Jaffe

Sculptor Michelle Jaffé has exhibited her work nationally and internationally in many solo and group shows, including a Solo show this past spring at Susan Berko Conde Gallery in Chelsea. She is the recipient of numerous grants from NYSCA, NYFA, The Queens Council on the Arts, & awards to the MacDowell Colony, Djerassi, and she was Artist-in Residence to the Computer Music Department at Brooklyn College. An extensive body of her design work is in the permanent collections of the Philadelphia Museum of Art, The Fashion Institute of Technology and the Museé de la Mode et du Costume in Paris, France.

More information: www.michellejaffearts.com

   
     
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  Katarina Jerenic and Naomi Miller
The Work Office (TWO), 2009, with Naomi Miller.
Katarina Jerinic participated in the Bronx Museum’s AIM program and has completed residencies at MacDowell Colony and the Experimental Television Center. She is currently an artist-in residence at the Center for Book Arts, New York. She has an MFA from School of Visual Arts. Her work has been recently included in exhibitions at NurtureArt, Rotunda Gallery, the Brooklyn Arts Council Gallery, DUMBO Art Under the Bridge Festival, all in Brooklyn, NY; the Bronx Museum of the Arts, Bronx, NY; Queens Museum of Art, Queens, NY; the Fox Art Gallery, University of Pennsylvania, Philadelphia, PA; Gallery Aferro, Newark, NJ; the Center for Book Arts, New York, NY; and Mills Gallery at Boston Center for the Arts, Boston, MA. Her collaborative project with Naomi Miller, The Work Office (TWO), has been awarded grants from the Black Rock Arts Foundation, the Brooklyn Arts Council, chashama, and LMCC Swing Space.

More information: www.katarinajerinic.com
   
   
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  Mindy Katzman Portraiture Born in the Bronx, Mindy Katzman continues to live and work in her native city, New York.  She received a M. A. in Art in Media in 2009 with a concentration in photography from Steinhardt School of Culture, Education and Human Development, New York University.  Her work explores a private topography where distinctions between the mundane and fantastic blur.  Drawn from the autobiographic and experience as a photo editor of photojournalism and editorial photography, her photographs reflect a world where shifting geopolitical boundaries resolve in uncertain displacement. Often using self-portraiture as a vehicle, Ms. Katzman reworks the everyday surface and its detritus in order to stir the subterranean.    
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  Carla Lobmier Carla Lobmier was born in central Illinois. She holds a BFA in Painting/Drawing from Eastern Illinois University, and an MFA in Painting and Drawing from the University of Illinois. Following a residency in 1999 with the Studio Program at APEX ART in Manhattan, she moved to New York City. Her teaching career spans Illinois, Tennessee and New York and includes Pre-Kindergarten children through university students. Her paintings, drawings and collages have been exhibited nationally and internationally and are in the permanent collections of Tarble Arts Center, William Rainey Harper College, Sheldon Swope Museum and Whirlpool Corporation. There is a large influence of literature in her work.    
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  Antonio Ortuno
Individualities, 2006, video installation.
The artistic journey of Antonio Ortuño began in Zaragoza in the Contemporary Art Festival "Conmutaciones-02", with the video installation "Por Amor/Deshechos" ("For Love/ejection"). Later came Valencia, where he presented the video "Él, antoñito" ("He, little antonio") in the space "El almacén del adecuado comportamiento" ("The store of appropriate conduct"), part of the Second Valencia Biennial. Later works include "Despegar" ("Detach"), a video he screened at the "Nabi Center" in Seoul, South Korea; the video "¿Te parece que esto son sólo palabras?" ("Does this seem like just words to you?") in the International Festival of Video Art in Valencia in the Sala Parpalló; the video-installation "Individualities" in Local Project gallery in New York; his participation in "The Most Curatiorial Biennial of the Universe" at ApexArt gallery in New York and in Animal Gallery in Santiago de Chile with the video "Love=pleasure", and at "Framing AIDS" in the Queens Museum of Art in New York.

More information: www.antonioortuno.com
   
   
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  Kathleen Mallaney at A-Lab Forum May 2010
Kathleen Mallaney was born in Chicago, IL. She has completed residencies at the Contemporary Artist Center and the Vermont Studio Center. Her work has been included in exhibitions at the Visual Arts Gallery, School of Visual Arts, New York, NY; Vermont Studio Center, Johnson, VT; Thirdstone Gallery, Saugatuck, MI; Lloyd Dobler Gallery, Chicago, IL; MCLA Gallery 51, North Adams, MA; Ice Factory, Chicago, IL; Ox-Bow, Saugatuck, MI; Galerie Doubner, Prague, Czech Republic; Clough-Hanson Gallery, Rhodes College, Memphis, TN; and the Leo Marchutz School, Aix-en-Provence, France. She received her BFA from the School of the Art Institute of Chicago and her MFA from the School of Visual Arts. She currently lives and works in New York.
   
     
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  Norma Marquez Orozco Norma Marquez Orozco was born in Chicago, Illinois, and raised in Guadalajara, Jalisco, Mexico. She lives and works in New York City since 1991. Her artwork reflects movement as a way of exploring not only physical but emotional change. She has exhibited in solo and group shows in Mexico, Italy, Spain and The United States. In addition, she founded Floor 4 Art in 2001 an alternative space in East Harlem, relocated in 2008 in West Harlem. Floor 4 Art houses artist’s studios and exhibition space aimed at producing, promoting and connecting artists.

Mor information: www.normaoro.com
   
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  Carlos Martinez Carlos Martinez is a Colombian-born mixed-media artist based in Jackson Heights, Queens. His work ranges from urban interventions to project-based community projects exploring issues of identity, gentrification, aging, environmental justice, mass consumption and immigration. In 2009, he participated in The Laundromat Project’s Create Change Residency program with “The Photobooth Without Borders” where he photographed and recorded the personal journeys of community residents using a portable photo booth-meets-confessional stationed in local laundromats. Currently, he is working on “Invisible Home,” a multimedia project that explores housing issues in New York City. As an artist-educator, he has served as an after-school photography instructor for youth from underserved communities; as a mentor empowering young adults transitioning out of the criminal justice system through digital photography, writing and public speaking; and as an artist-in-residence providing art classes in a senior center.

More information: www.carlosmartinez.me
   
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  Caitlin Masley at A-Lab Forum MEKANIKA

Caitlin Masley has exhibited nationally and internationally since 2000. She has had solo exhibitions and projects in Berlin, Geneva, Croatia, Tel Aviv, Copenhagen, Salford, Amsterdam, Lisbon, Quebec and New York. Masley has also been awarded an Emerging Artist Award from Socrates Sculpture Park in NYC (2002), LMCC Swing Space residency and grant (2007), Pollock-Krasner grant (2007), Puffin Foundation Grant (2010) as well as being artist in residence at Kunstverein Salzburg, Austria (2004); Schinkel-Progressive Residency in Berlin, Germany (2005); Ladmoen Kunstnerverksteder in Trondheim, Norway (2006) Künstlerwohnung Chretzeturm, Stein am Rhein, Switzerland, Action Art Actuel, Centre d¹Artistes Autogere Residency, Quebec (2009), Abrons Art Center at the Henry Street Settlement in New York City (2009-10) and currently at Triangle Arts (2010-2011) plus the Manhattan Graphics Printshop in the Spring 2011. Masley's work has been published in Review Urbanism, Cabinet Magazine and New Yorker Magazine among others.

More information: www.caitlinmasley.com

   
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  Jason Mitcham
Jason Mitcham was born in Greensboro, North Carolina.  He received his Bachelor of Fine Arts at East Carolina University in 2002 and his Master of Fine Arts from the University of Florida in 2005.  Jason is a recipient of the Elizabeth Greenshields Foundation Grant.  He has had solo exhibitions in 2006 and 2008 at the Wynn Bone Gallery in Annapolis, MD.  Recent group exhibitions include “Aftermath” at the Target Gallery in Alexandria, VA (2008), “Visual Politics: Art and the American Experience” in Santa Cruz, CA (2008), and “I’ve Got Issues” at the 5ive and 40rty Gallery in Winston-Salem, NC (2008).  Work from his current series of animations will be shown in upcoming exhibitions at Artspace in Raleigh, NC, and at NURTUREart in Brooklyn, NY.  He currently lives and works in New York City.

More information: www.jasonryanmitcham.com
   
     
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  Rosa Naparsek
Rosa Naparstek works with found objects, family photographs and text (original nursery rhymes). She explores both the “ordering of things”—how we attach meaning to “random” juxtaposition of objects—and “the order of things”—looking at our inner landscapes for the emotional roots of the world we create personally and politically. Much of what she does centers on childhood memories and experiences and is concerned with questions of cruelty and its source within us. She believes that “the fundamental human questions are about good and evil and that each person, culture, and even each civilization asks these through the lens of its own experience.”
   
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  Ruben Natal San Migues Portraiture Ruben Natal San Miguel is an architect, photographer, curator, book editor, writer, art collector and consultant who specialize primarily in the art of fine emerging photography. Ruben is involved with ACRIA, Aperture Foundation, Humble Arts Foundation to name a few. He is the Editon in Chief of the newly founded Photo Gallerino a curatorial/gallry art blog. His photography work has been in local, national and international exhibitions galleries, art fairs and published by magazines such as La Lettre de la Photographie, Urban Italy , Wink, The Atlantic, and Aperture Magazine. His curated shows have been featured in several publications such as The New Yorker and French Photo among many others. He has done public speaking about his own photography, art collecting and photography at several non profit institutions such as Aperture Foundation, School of Visual Arts and PDN Photo Plus 2011. His Work is represented by Finch & Ada.    
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  Eva Nikolova Eva Nikolova currently lives and works in New York. Born in Sofia, Bulgaria, she came to the U.S. on a scholarship to attend art school. She holds a BFA in Painting and Printmaking from Southern Illinois University and 2008 MFA in Printmaking from Indiana University, Bloomington. She works primarily in drawing, etching, and hand-drawn animation. Her work explores the construction of the narrative of Place and its role in the formation of identity and memory – personal and collective, individual and national in relation to iconic carriers of meaning, such as folklore and architecture. Her work has been exhibited nationally as well as in England, Canada, Scotland, and India. It is in the permanent collections of the New Orleans Museum of Art, Temple University, The Amity Art Foundation and Arkansas State University among others.    
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  Raphaela Riepl

Raphaela Riepl is an austrian artist, 25, currently living and working in Brooklyn, New York. Next to my own work as an artist, I'm working in the non-profit gallery OPEN SOURCE Gallery. I do installations using found and cheap materials, in a combination with lights and electronics. For the last years light has played an important role in my work. By using it as an luminous color, it may be associated with natural lights appearing in nature and artificial lights used in urban environments.

More information: www.raphaela.cc

   
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  Panoply Performance Laboratory
The Panoply Performance Laboratory (PPL) is a performance co-operative formed by director/librettist/designer Esther Neff and co-directed by composer/sound artist/musician Brian McCorkle. Since 2004, PPL has been experimenting with ways of combining documentary-based performance art, music, theater, and the mediums of many collaborators including Herbie Go, Meredith Kitz, and Andrea Suarez. PPL pieces often begin with the gathering of interviews and are built to show how closely the emotional and expressive currents that inform individuals on a subconscious level and the formal systems of politics, social sciences, and philosophy work together. Sound objects, live music, installation, video, sculpture, and large-scale paintings comprise efforts to describe and express complex ideas through a medium that can speak directly to impulse and emotion. PPL's newest performance art "opera" will be performed in the city in July of this year.

More information: www.panoplylab.org
   
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  Shani Peters Shani Peters is a New York based artist (born in Lansing, MI) focusing in video, collage, printmaking, and social practice public projects. Thematically, her work is based in cultural record keeping, social collectivity, generational connections, and a desire to find order in the present through analysis of the past. She has exhibited and/or screened at the Bronx Museum of Art, Brooklyn Academy of Music, Lower East Side Printshop, Jamaica Performing Arts Center, Rush Arts Gallery, the International Print Center New York, and the Schomburg Center for Black Culture and Research.  She has completed residencies at The Center for Book Arts, LMCC’s Swing Space, and the Lower Eastside Printshop and the Bronx Museum’s 2010-11 Artist in the Marketplace program. In addition to personal and public arts projects she works as a teaching artist with various organizations.  Peters completed her B.A. at Michigan State University and her M.F.A. at The City College of New York.

More information: www.shanipeters.com
   
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  J Carlos Pinto
J Carlos Pinto is a self represented artist from Guatemala who has been working for the past 10 years in New York. Pinto’s artwork is poignantly aggressive and projects a revolutionary declaration. The scope of his art covers abstract painting, tile work, wood work, stencil spray, and use of non-biodegradable plastic and glass. Most of Pinto’s media comes from salvaged material and found objects. Pinto’s use of plastic is unique and pulsates with hidden significance. He uses discarded plastic Metro Cards, which he dices and cuts into different shapes and pastes together to form pictures and messages. His weaving of color is also prominent in his folk oriented handicrafts, such as Mayan inspired masks, painted gourds, as well as abstract paintings that, like a mirage, play with the imagination.

More information: www.bqestudios.com
   
     
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  Risa Puno
after the party, 2010, interactive installation.
Risa Puno was born in 1981 in Louisville, Kentucky. She has exhibited at venues including: Socrates Sculpture Park; The Bronx Museum of the Arts; apexart; Galerie Stefan Röpke in Cologne, Germany; Bronx River Art Center; and Scope NY: Curator’s Choice. Her awards/honors include: project grants from Socrates Sculpture Park and Jersey City Museum; acceptance into the AIM program at The Bronx Museum; and serving as a visiting artist at Dumbo Arts Center, Satellite Academy, and Monmouth University. She studied art and medicine at Brown University and earned her MFA from New York University. She currently lives and works in NYC.

Moreinformation:www.risapuno.com
   
   
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  Carol Radsprecher

Carol Radsprecher was born and still resides in Brooklyn, New York. She received her MFA in painting from Hunter College in 1988. Her work has appeared in several solo exhibitions and numerous group shows. She has received several awards for her work and has paintings in many private collections. Reproductions of her work have appeared (in print and online) in literary and art publications. A restless artist, Carol has explored both representational and abstract ways of painting (her present work combines both elements). She is also a burgeoning Photoshopper.

More information: www.caroolrads.neoimages.net

   
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  Damaso Reyes Portraiture Born and raised in Brooklyn, New York, Damaso Reyes  has worked for institutions and his work has appeared in publications including: The United Nations Development Programme, The Associated Press, The Wall Street Journal, Newsday, The San Francisco Chronicle, The Far Eastern Economic Review, New York magazine, Vanity Fair Germany, Der Spiegel and Time Asia. Previous assignments and projects have taken him to countries including Rwanda, Iraq, Indonesia, Tanzania and throughout the United States and Europe. His images are also featured in the monograph Black: A Celebration of a Culture and the book Innocents Lost: When Child Soldiers go to War. Damaso is also the principal photographer on The Europeans, a long term photographic documentary project examining the changes that Europe and its people are experiencing as the European Union expands and continues to integrate.

More information: www.damaso.com
   
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  Ryan Roa
Hummer Ryan Roa Edition, 2007, sculptural object.
Ryan Roa was born of Irish-Colombian decent in 1974. He grew up in northern NJ. Roa has worked as a stockbroker, a carpenter, a teacher, and served as Staff Sergeant in the U.S. Army, overseas in the Iraq war. He received a BFA in Sculpture and a BS in Art Education from SUNY New Paltz, and MFA in Combined Media from Hunter College. Roa has exhibited at the Jersey City Museum, Bronx Museum, School of Visual Arts, Jamaica Center for the Arts and Learning. He has participated in residency programs at the Bronx Museum, Gallery Aferro and Pace University. He will be Participating in the 2010 Moscow Biennial. Roa is currently based in New York City.

More information: www.ryanroa.com
   
     
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  Patricio Robayo
Patricio Robayo is a freelance Latino photographer who was born and raised in New York City. His work consists of both portrait and editorial photography. Patricio’s photos have been governed by his desire to capture significant moments in life that when linked together reveal a story to a viewer. He seeks to find a deep rooted connection that the people he photographs share and that the audience can look within and discover the same correlation of human existence. He graduated from Purchase College with a B.A. His work has been featured in publications such as La Voz, The Onion, The Queens Courier and The Manhattan Times. Patricio is currently working on two documentary projects that deal with the struggles that occur after the loss of a love one.

More information: www.patriciorobayo.com
   
     
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  Morgan Schwartz
Morgan Schwartz creates video installations, single-channel videos, urban actions and interactive media projects. He works collaboratively on projects in response to specific sites or cultural systems. He earned a BSE in Chemical Engineering from Princeton University in 1996 and his MFA from the School of the Museum of Fine Arts, Boston in 2002. Morgan is currently Associate Professor of Digital Media at Marymount Manhattan College.

More information: www.sodacity.net
   
   
 
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  Jason Villegas

Jason Villegas currently resides in Astoria, NY and creates artwork in New York’s financial district, as part of Lower Manhattan Cultural Council’s workspace studio residency.   Jason earned his BFA in his hometown at the University of Houston and traveled to the northeast in 2005 to acquire his MFA at the Mason Gross School of Art at Rutgers University in New Brunswick, NJ.  Villegas melds animal, machine, luxury, cosmology, microbiology, evolution, and globalism into an absurd and engaging mythology of consumption.  Aside from fine art exhibition and art education, Jason also creates clothing, comic books, plush toys, functional/ decorative crafts and DIY interior design.  His work has been published in Art in America, Art Lies and the LA Times and exhibited at the Los Angeles County Museum of Art, Contemporary Art Museum of Houston, Phoenix Art Museum, El Museo Del Barrio, Museo Tamayo and Exit Art.

More information: www.jasonvillegas.com

   
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  Christina Stahr Christina Stahr's work is inherently tactile, sensory, and experiential, though it is abstract and minimal in its overall compositional structure. Based on the concept and technique of collage, it combines fragments of cultural and historical significance with texts and segments of personal meaning. The labyrinth - its form, structure, theme, and history - is central to her current work. The shape, experience, and history of the labyrinth, allowed her to expand her collage practice beyond the wall-based exhibition format into open spaces and into a public dialogue about immigration and displacement. Her collages, installations, and mixed media works are exhibited internationally in solo and group exhibitions. She lives and works in New York City.

More information: www.christinastahr.com
   
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  Tat Tattfoo Tan’s art practice seeks to find an immediate, direct, and effective way of exploring issues related to the individual in society through which to collapse the categories of ‘art’ and ‘life’ into one. Through the employment of multiple forms of media and various platforms of presentation, Tattfoo promotes group participation between himself and an ‘audience’. Tattfoo’s work has been shown in various venues and institutions including; Queens Museum of Art, Lower East Side Tenement Museum, Artisphere, The City of New York Department of Cultural Affairs Percent for the Arts, Lower Manhattan Cultural Council, Eugene Lang College New School for Liberal Arts, Fashion Institute of Technology, Pratt Institute, The Center for Book Arts, BRAC, JCAL, Aljira, Project Row Houses, Redux Contemporary Art Center and The Laundromat Project. He has be recognized for his effort, service and artistic contribution to the community and is proud recipient of Proclamation from The City of New York. 

More information: www.tattfoo.com
   
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  Alison Ward
Alison Ward’s performances, videos and sculptures create a world populated by a masked and costumed cast that re-interpret her own image in the form of popular cultural icons. Her characters struggle with each other and the audience through activities that combine violence and overt sexuality with slapstick physical humor. With the help of these characters, She creates scenarios that simultaneously exist in the realms of physical comedy and the unknown. Exhibitions include Haven Arts, The Dumbo Arts Center, and the Bronx Museum as well as the CCCB Museum in Spain, RAW Space Gallery in Australia and Castlefield Gallery in England. She has done residencies at Raw Space in Australia, The Artist in the Marketplace Program, and the LMCC studio program, The Waterpod Project in New York City, and LMCC’s Swing Space Program. She has received grants from the Brooklyn Arts Council and the Lewisham Arts council in London to perform her work.

More information: www.texandtrixie.com
   
     
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  Genevieve White
Genevieve White uses her body to test her limits and expose her vulnerability. She is interested in the states of repression and freedom. She paints her skin with six layers of colors and paint a canoe, which disappears. She wraps her head with yarn, which becomes a heavy head and cut it away. The rope that binds us also makes us free. Navigating from the inside out, she tries to unravel truths and myths about others and myself. Genevieve is interested in using the body as a map, a vessel, a container, a follower, an interdependent and independent being that impacts its environment. She has been performing at Deitch, the Neuberger Museum, the Whitney Museum and other venues. She is interested in using her body to test its limits and go beyond what she thinks she can do. She considers her body the vessel, the canvas, a carrier of independence and co-dependence in her work.

More information: www.genwhite.blogspot.com
   
       
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ABOUT A-Lab:
A-Lab is an artists’ collective initiated by New-media artist, Hector Canonge. From its inception in 2009, A-Lab mission has been to promote and forge stronger collaborative projects for artists working and/or living in NYC. A-Lab is an independent initiative whose mission is to inform and assist artists in various aspects of their development. A-Lab's monthly meetings have been designed as a collaborative effort among artists to share resources, know-how, and experience to compete in the market place. In addition, the A-Lab highly encourages and supports social activities to take place in local businesses and institutions in New York City. The convergence of the Arts and Community Building is another important component of the A-Lab as members can propose performances, shows, music gatherings, poetry readings, projections, public interventions, and more, in and around the various boroughs.
   
   
   
    A-Lab is an independent initiative supported by QMAD, Queens Media Arts Development.
A-Lab Forum presentations are made possible by QMAD in collaboration with our hosting venue Crossing Art Gallery.
   
     
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